PREFACE
and flagrant dangers that are but sordid and squalid ones, as we feel, tainting with their quality the very defiances they provoke; while there are common and covert ones, that "look like nothing" and that can be but inwardly and occultly dealt with, which involve the sharpest hazards to life and honour and the highest instant decisions and intrepidities of action. It is an arbitrary stamp that keeps these latter prosaic and makes the former heroic; and yet I should still less subscribe to a mere "subjective" division—I mean one that would place the difference wholly in the temper of the imperilled agent. It would be impossible to have a more romantic temper than Flaubert's Madame Bovary, and yet nothing less resembles a romance than the record of her adventures. To classify it by that aspect—the definition of the spirit that happens to animate her—is like settling the question (as I have seen it witlessly settled) by the presence or absence of "costume." Where again then does costume begin or end?—save with the "run" of one or another sort of play? We must reserve vague labels for artless mixtures.
The only general attribute of projected romance that I can see, the only one that fits all its cases, is the fact of the kind of experience with which it deals—experience liberated, so to speak; experience disengaged, disembroiled, disencumbered, exempt from the conditions that we usually know to attach to it and, if we wish so to put the matter, drag upon it, and operating in a medium which relieves it, in a particular interest, of the inconvenience of a related, a measurable state, a state subject to all our vulgar communities. The greatest intensity may so be arrived at evidently—when the sacrifice of community, of the "related" sides of situations, has not been too rash. It must to this end not flagrantly betray itself; we must even be kept if possible, for our illusion, from suspecting any sacrifice at all. The balloon of experience is in fact of course tied to the earth, and under that necessity we swing, thanks to a rope of remarkable length, in the more or less commodious car of the imagination; but it is by the rope we know where
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