night, which had almost flung them into each other's arms. Sanin walked along, and felt that he even looked at Gemma with other eyes; he instantly noted some peculiarities in her walk, in her movements,—and heavens! how infinitely sweet and precious they were to him! And she felt that that was how he was looking at her.
Sanin and she were in love for the first time; all the miracles of first love were working in them. First love is like a revolution; the uniformly regular routine of ordered life is broken down and shattered in one instant; youth mounts the barricade, waves high its bright flag, and whatever awaits it in the future—death or a new life—all alike it goes to meet with ecstatic welcome.
'What's this? Isn't that our old friend?' said Sanin, pointing to a muffled-up figure, which hurriedly slipped a little aside as though trying to remain unobserved. In the midst of his abundant happiness he felt a need to talk to Gemma, not of love—that was a settled thing and holy—but of something else.
'Yes, it's Pantaleone,' Gemma answered gaily and happily. 'Most likely he has been following me ever since I left home; all day yesterday he kept watching every movement I made . . . He guesses!'
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