Three Portraits
Vassily's captivating charm as that he had made even his mother love him passionately. Demonstrations of tenderness on the part of children were not in the spirit of the age, and so it is not to be wondered at that Olga did not dare to express her devotion, though she always kissed Anna Pavlovna's hand with special reverence, when she said good-night to her. Twenty years later, Russian girls began to read romances of the class of The Adventures of Marquis Glagol, Fanfan and Lolotta, Alexey or the Cottage in the Forest; they began to play the clavichord and to sing songs in the style of the once very well-known:
'Men like butterflies in sunshine
Flutter round us opening blossoms,' etc.
But in the seventies of last century (Olga Ivanovna was born in 1757) our country beauties had no notion of such accomplishments. It is difficult for us now to form a clear conception of the Russian miss of those days. We can indeed judge from our grandmothers of the degree of culture of girls of noble family in the time of Catherine; but how is one to distinguish what they had gradually gained in the course of their long lives from what they were in the days of their youth?
Olga Ivanovna spoke French a little, but with a strong Russian accent: in her day there
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