Page:The One Woman (1903).pdf/142

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robe, ripped it open, tore it from his arms, crushed it into a shapeless mass and threw it on the floor. He snatched up the golden lectern pulpit, hurled it back into the comer, and moved the little table with its vase of roses into its place. He did this quickly, without a word or an exclamation to break the awful stillness with which the crowd watched him.

They knew that a tremendous drama was being enacted before them. So intense was the excitement the people on the back tiers of the galleries sprang impulsively to their feet and stood on the pews.

Van Meter's eyes danced with wild amazement as he straightened himself up, sure Gordon had gone mad. But when he advanced to the edge of the platform, looking a foot taller in his long black Prince Albert coat, folded his giant arms across his breast, the nostrils of his great aquiline nose dilated, his lips quivering, and looked straight into Van Meter's face, the Deacon saw there was dangerous method in his madness.

His eyes blazing with pent-up passion, he began in deliberate tones an extempore address.

In a moment the air was charged with the thrill of his powerful personality wrought to the highest tension of emotional power.

"My friends," he began, "there are moments in our experience when we live a lifetime—moments when the hair of our heads turns gray, a soul dies