a freer and more respected plane, we find woman already degraded by the supremacy of man and the competition of slaves during the time of the heroes. Read in the Odysseia how Telemachos reproves and silences his mother. The captured young women, according to Homer, are delivered to the sensual lust of the victors. The leaders in the order of their rank select the most beautiful captives. The whole Iliad notoriously revolves around the quarrel between Achilles and Agamemnon about such a captured woman. In mentioning any hero of importance, the captured girl sharing his tent and bed is never omitted. These girls are also taken into the hero's home country and his house, as Kassandra by Agamemnon in Aeschylos. Boys born by these female slaves receive a small share of the paternal heirloom and are regarded as free men. Teukros is such an illegitimate son and may use his father's name. The wife is expected to put up with everything, while herself remaining chaste and faithful. Although the Greek woman of heroic times is more highly respected than she of the civilized period, still she is for her husband only the mother of his legal heirs, his first housekeeper and the superintendent of the female slaves, whom he can and does make his concubines at will. It is this practice of slavery by the side of monogamy, the existence of young and beautiful female slaves belonging without any restriction to their master, which from the very beginning gives to monogamy the specific character of being monogamy for women only, but not for men. And this character remains to this day.
For the Greeks of later times we must make a distinction between Dorians and Ionians. The former, with Sparta as their classic example, have in many respects still more antiquated marriage customs than even Homer illustrates. In Sparta existed a form of
