Page:The Outline of History Vol 1.djvu/119

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drawings betray a complete incapacity to group animals. As the centuries progressed, more skilful artists appeared. The representation of beasts became at last astonishingly vivid and like. But even at the crest of their artistic time they still drew in profile as children do; perspective and the fore-shortening needed for back and front views were too much for them.[1] They rarely drew themselves. The vast majority of their drawings represent animals. The mammoth and the horse are among the commonest themes. Some of the people, whether Grimaldi people or Cro-Magnon people, also made little ivory and soapstone statuettes, and among these are some very fat female figures. These latter suggest the physique of Grimaldi rather than of Cro-Magnon artists. They are like Bushmen women. The human sculpture of the earlier times inclined to caricature, and generally such human figures as they represent are far below the animal studies in vigour and veracity.

Later on there was more grace and less coarseness in the human representations. One little ivory head discovered is that of a girl with an elaborate coiffure. These people at a later stage also scratched and engraved designs on ivory and bone. Some of the most interesting groups of figures are carved very curiously round bone, and especially round rods of deer bone, so that it is impossible to see the entire design all together. Figures have also been found modelled in clay, although no Palæolithic people made any use of pottery.

Many of the paintings are found in the depths of unlit caves. They are often difficult of access. The artists must have employed lamps to do their work, and shallow soapstone lamps in which fat could have been burnt have been found. Whether the seeing of these cavern paintings was in some way ceremonial or under what circumstances they were seen, we are now altogether at a loss to imagine.


§ 2

Archæologists distinguish at present three chief stages in the history of these newer Palæolithic men in Europe, and we must name these stages here. But it may be as well to note at the

  1. R. I. Pocock.