Page:The Parson's Handbook - 2nd ed.djvu/57

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THE CHOIR AND NAVE
41

The lighting of choirs by flaring gas-standards is a practice much to be avoided (still more so when two gaudy brass standards are placed near the altar). These things are nearly always very offensive in appearance : they get in the way : they are costly : they waste a great deal of gas ; and they contribute to wards spoiling and dirtying everything in the church. There are many other ways of managing the light. For instance incandescent burners may be fixed out of sight at the side of the choir ; in which case their reflectors should throw the light on to the stalls ; and two burners on each side will suffice for a not very large church. If the burners are fixed on standards it is best that these should be plain and stand in the midst of the benches : a shade to throw the light on the books will be useful to the singers, will try the eyes of the congregation less, give a better effect in the chancel, and economise gas. If oil-lamps are used, they too should be well shaded. In those churches that are fortunate enough to have electric light, it is generally better not to use the old gas-fittings (which may conveniently be got rid of at the installation) ; for electric lighting lends itself to peculiarly light and graceful methods. Anything like throwing a theatrical light on to the altar is strongly to be condemned. Gas or electric lights on the altar itself are intolerable. The general rules about all lighting, whether in nave or choir, should be, that it be of as simple and unobtrusive nature as possible, that, if possible, it be not obtained by naked gas-jets burning to waste, that it be not placed at any height, but that the principal aim be to place it near to where it is wanted for the people to see their books, so that there is as much quiet shade in the church as possible. The less gas is burned the better. People are more drawn to and impressed by a church that is not filled with flaring light, though often they do not know the reason ; and the present