rors, propagated and multiplied by time: because, for near a century, his works were published from the faulty copies, without the assistance of any intelligent editor: which has been the case likewise of many a classick writer.
The nature of any distemper once found has generally been the immediate step to a cure. Shakespeare's case has in a great measure resembled that of a corrupt classick; and, consequently, the method of cure was likewise to bear a resemblance. By what means, and with what success, this cure has been effected on ancient writers, is too well known, and needs no formal illustration. The reputation, consequent on tasks of that nature, invited me to attempt the method here; with this view, the hopes of restoring to the publick their greatest poet in his original purity: after having so long lain in a condition that was a disgrace to common sense. To this end I have ventured on a labour, that is the first assay of the kind on any modern author whatsoever. For the late edition of Milton by the learned Dr. Bentley is, in the main, a performance of another species. It is plain, it was the intention of that great man rather to correct and pare off the excrescencies of the Paradise Lost, in the manner that Tucca and Varius were employed to criticise the Æneis of Virgil, than to restore corrupted passages. Hence, therefore, may be seen either the iniquity or ignorance of his censurers, who, from some expressions, would make us believe, the doctor every where gives us his corrections as the original text of the author; whereas the chief turn of his criticism is plainly to shew the world, that if Milton did not write as he would have him, he ought to have wrote so.
I thought proper to premise this observation to the readers, as it will shew that the critick on Shakespeare is of a quite different kind. His genuine text is for the most part religiously adhered to, and the numerous faults and blemishes, purely his own, are left as they were found. Nothing is altered, but what by the clearest reasoning can be proved a corruption of the true text; and the alteration, a real restoration of the genuine reading. Nay, so strictly have I strove to give the true reading, though sometimes not to the advantage of my author, that I have been ridiculously ridiculed for it by those, who either were iniquitously for turning every thing to my disadvantage; or else were totally ignorant of the true duty of an editor.
