terial. Without such notes, these passages in subsequent editions would be liable, through the ignorance of printers and correctors, to fall into the old confusion: whereas, a note on every one hinders all possible return to depravity: and for ever secures them in a state of purity and integrity not to be lost or forfeited.
Again, as some notes have been necessary to point out the detection of the corrupted text, and establish the restoration of the genuine readings; some others have been as necessary for the explanation of passages obscure and difficult. To understand the necessity and use of this part of my talk, some particulars of my author’s character are previously to be explained. There are obscurities in him, which are common to him with all poets of the same species; there are others, the issue of the times he lived in; and there are others, again, peculiar to himself. The nature of comick poetry being entirely satirical, it busies itself more in exposing what we call caprice and humour, than vices cognizable to the laws. The English, from the happiness of a free constitution, and a turn of mind peculiarly speculative and inquisitive, are observed to produce more humourists, and a greater variety of original characters, than any other people whatsoever: and these owing their immediate birth to the peculiar genius of each age, an infinite number of things alluded to, glanced at, and exposed, must needs become obscure, as the characters themselves are antiquated and disused. An editor therefore should be well versed in the history and manners of his author’s age, if he aims at doing him a service in this respect.
Besides, wit lying mostly in the assemblage of ideas, and in putting those together with quickness and variety, wherein can be found any resemblance, or congruity, to make up pleasant pictures, and agreeable visions in the fancy; the writer, who aims at wit, must of course range far and wide for materials. Now the age in which Shakespeare lived, having, above all others, a wonderful affection to appear learned, they declined vulgar images, such as are immediately fetched from nature, and ranged through the circle of the sciences to fetch their ideas from thence. But as the resemblances of such ideas to the subject must necessarily lie very much out of the common way, and every piece of wit appear a riddle to the vulgar; this, that should have taught them the forced, quaint, unnatural tract they were in (and induce them to follow a more natural one)
