afterwards served him as a poet of Nature. To "Clio"—probably the "Clio" whom he is known to have painted—he addressed some trifling "Verses from Rome"; Clio sent back a set of verses of equal merit.
1726, the year of his return to England, was a year of some literary activity for Dyer. It was the year of the publication of Thomson's "Winter."
Savage's Miscellany of that date contained five pieces from Dyer's pen, viz.: "The Inquiry," an unimportant composition that proves his rural contentment; "To Aaron Hill," a complimentary epistle; "An Epistle to a Painter," i.e. to Richardson; "The Country Walk," and "Grongar Hill." As then published, "Grongar Hill" was not significant. In form "an irregular ode," divided into stanzas, it displayed some unattractive Pindarism and the antics of that day. "The Country Walk," the one wild flower of the collection, slender but unique, in manner suggested the turn which was given later to "Grongar Hill." He was again an itinerant painter.
In 1727, "Grongar Hill" appeared in its final shape. The revision had been happy, but somewhat imperfectly inspired. Thus the opening lines are negligent and vague, and "unhappy fate," etc., is indefensible. But when we consider the fitness of the metre, and the skilful presentation of a mood so uncommon in his day, breathing in the first lines,
