from mimicking Swiss châlets, to erecting English houses. We need not devote more time to the investigation of purely domestic English architecture, though we hope to derive much instruction and pleasure from the contemplation of buildings partly adapted for defence, and partly for residence. The introduction of the means of defence is, however, a distinction which we do not wish at present to pass over; and, therefore, in our next paper, we hope to conclude the subject of the villa, by a few remarks on the style now best adapted for English scenery.
III. The English Villa.—Principles of Composition.
It has lately become a custom, among the more enlightened and refined of metropolitan shopkeepers, to advocate the cause of propriety in architectural decoration, by ensconcing their shelves, counters, and clerks in classical edifices, agreeably ornamented with ingenious devices, typical of the class of articles to which the tradesman particularly desires to direct the public attention. We find our grocers enshrined in temples whose columns are of canisters, and whose pinnacles are of sugarloaves. Our shoe-makers shape their soles under Gothic portals, with pendants of shoes, and canopies of Wellingtons; and our cheesemongers will, we doubt not, soon follow the excellent example, by raising shops the varied diameters of whose
