fall back upon his decorations, as the only means of obtaining character; and that which before was an unmeaning lump of jagged freestone, will become a part of expression, an accessory of beautiful design, varied in its form, and delicate in its effect. Then, instead of shrinking from his bits of ornament, as from things which will give him trouble to invent, and will answer no other purpose than that of occupying what would otherwise have looked blank, the designer will view them as an efficient corps de réserve, to be brought up when the eye comes to close quarters with the edifice, to maintain and deepen the impression it has previously received. Much 
Fig. 38. more time will be spent in the conception, much more labour in the execution, of such meaning ornament, but both will be well spent, and well rewarded.
Perhaps our meaning may be made more clear by Fig. 38, which is that of a window found in a domestic building of mixed and corrupt architecture, at Munich (which we give now, because we shall have occasion to allude to it hereafter). Its absurd breadth of moulding, so disproportionate to its cornice, renders it excessively ugly, but capable of great
