in the single object by different means, the contrast will be delightful. Thus, the elevation of character which the hill districts of Italy possess by the magnificence of their forms, is transmitted to the villa by its dignity of detail, and simplicity of outline; and the rectangular interruption to the curve of picturesque blue country, partaking of the nature of that which it interrupts, is a contrast giving relief and interest, while any Elizabethan acute angles, on the contrary, would have been a contrast obtained by the absence of the pervading energy of the universal curvilinear character, and therefore improper.
4thly. When the general energy, instead of pervading simultaneously the multitude of objects, as with one spirit, is independently possessed and manifested by every
Fig. 42.
Fig. 43.
