a presentiment which proved usually to have been a blank. She performed all those acts of mental prostration in which, on a first visit to Italy, youth and enthusiasm so freely indulge; she felt her heart beat in the presence of immortal genius, and knew the sweetness of rising tears in eyes to which faded fresco and darkened marble grew dim. But the return, every day, was even pleasanter than the going forth; the return into the wide, monumental court of the great house in which Mrs. Touchett, many years before, had established herself, and into the high, cool rooms where carven rafters and pompous frescoes of the sixteenth century looked down upon the familiar commodities of the nineteenth. Mrs. Touchett inhabited an historic building in a narrow street whose very name recalled the strife of mediæval factions; and found compensation for the darkness of her frontage in the modicity of her rent and the brightness of a garden in which nature itself looked as archaic as the rugged architecture of the palace and which illumined the rooms that were in regular use. Isabel found that to live in such a place might be a source of happiness—almost of excitement. At first it had struck her as a sort of prison; but very soon its prison-like quality became a merit, for she discovered that it contained other prisoners than the members of her aunt's household. The spirit of the past was shut up there, like a refugee from the outer world; it lurked in lonely corners, and, at night, haunted even the rooms in which Mrs. Touchett diffused her matter-of-fact influence. Isabel used to hear vague echoes and strange reverberations; she had a sense of the hovering of unseen figures, of the flitting of ghosts. Often she paused, listening, half-startled, half-disappointed, on the great cold stone staircase.
Gilbert Osmond came to see Madame Merle, who presented him to the young lady seated almost out of sight at the other
