recent visitors, declaring that Hyacinth must positively go with her to return their call, and must see their interior, their manner at home), Madame Grandoni sat down to the piano, at Christina's request, and played to her companions for an hour. The spaces were large in the big drawing-room, and our friends had placed themselves at a distance from each other. The old lady's music trickled forth discreetly into the pleasant dimness of the candlelight; she knew dozens of Italian local airs, which sounded like the forgotten tunes of a people, and she followed them by a series of tender, plaintive German Lieder, awaking, without violence, the echoes of the high, pompous apartment. It was the music of an old woman, and seemed to quaver a little, as her singing might have done. The Princess, buried in a deep chair, listened, behind her fan. Hyacinth at least supposed she listened; at any rate, she never moved. At last Madame Grandoni left the piano and came toward the young man. She had taken up, on the way, a French book, in a pink cover, which she nursed in the hollow of her arm, and she stood looking at Hyacinth.
'My poor little friend, I must bid you good-night. I shall not see you again for the present, as, to take your early train, you will have left the house before I put on my wig—and I never show myself to gentlemen without it. I have looked after the Princess pretty well, all day, to keep her from harm, and now I give her up to you, for a little. Take the same care, I beg you. I must put myself into my dressing-gown; at my age, at this hour, it is the only thing. What will you have? I hate to be tight,' pursued Madame Grandoni, who appeared even in her
