sity is the source. The floor of my room is composed of little brick tiles, and to freshen the air, in this temperature, one sprinkles it, as you no doubt know, with water. Before long, if I keep on sprinkling, I shall be able to swim about; the green shutters are closed, and the place makes a very good tank. Through the chinks the hot light of the campo comes in. I smoke cigarettes, and in the pauses of this composition recline on a faded magenta divan in the corner. Convenient to my hand, in that attitude, are the works of Leopardi and a second-hand dictionary. I am very happy—happier than I have ever been in my life save at Medley—and I don't care for anything but the present hour. It won't last long, for I am spending all my money. When I have finished this I shall go forth and wander about in the splendid Venetian afternoon; and I shall spend the evening in that enchanted square of St. Mark's, which resembles an immense open-air drawing-room, listening to music and feeling the sea-breeze blow in between those two strange old columns, in the piazzetta, which seem to make a portal for it. I can scarcely believe that it's of myself that I am telling these fine things; I say to myself a dozen times a day that Hyacinth Robinson is not in it—I pinch my leg to see if I'm not dreaming. But a short time hence, when I have resumed the exercise of my profession, in sweet Soho, I shall have proof enough that it has been my very self: I shall know that by the terrible grind I shall feel my work to be.
'That will mean, no doubt, that I'm deeply demoralised. It won't be for you, however, in this case, to cast the stone at me; for my demoralisation began from the moment I first approached you. Dear Princess, I may have done you
