She sees, as I also see, a something in Victor's temper—a kind of electrical ardour and power—which emits, now and then, ominous sparks; Hunsden calls it his spirit, and says it should not be curbed. I call it the leaven of the offending Adam, and consider that it should be, if not whipped out of him, at least soundly disciplined; and that he will be cheap of any amount of either bodily or mental suffering which will ground him radically in the art of self-control. Frances gives this something in her son's marked character no name; but when it appears in the grinding of his teeth, in the glittering of his eye, in the fierce revolt of feeling against disappointment, mischance, sudden sorrow, or supposed injustice, she folds him to her breast, or takes him to walk with her alone in the wood; then she reasons with him like any philosopher, and to reason Victor is ever accessible; then she looks at him with eyes of love, and by love Victor can be infallibly subjugated; but will
