propitiating the wooden or stone images of their ancestors or of themselves. It is the living image which is said to be worshipped, and was supposed to reside in the wood or stone. There is an ancient text[1] which, in reference to Ptah, the chief divinity of Memphis, whom the Greeks identified with Hephaestos as the inventor of the arts, distinctly speaks of the gods as being made through his agency to enter into their bodies, namely, their images of wood or stone.
When enumerating the experiences which tend to generate the belief in a double personality, Mr. Herbert Spencer speaks of the shadow which, following a savage everywhere and moving as he moves, suggests to him the idea of his duality, the shadow being perhaps considered as a specific something which forms part of him; and he adds:
"A much more decided suggestion of the same kind is likely to result from the reflection of his face and figure in water, imitating him as it does in his form, colours, motions, grimaces. When we remember that not unfrequently a savage objects to have his portrait taken, because he thinks whoever carries away a representation of him carries away some part of his being, we see how probable it is that he thinks his double in the water is a reality in some way belonging to him."
I quote these words in order to suggest to you the
- ↑ Sharpe, "Egyptian Inscriptions," Vol. I. pl. 30.
