he hath neither ministrant nor offerings; he is not adored in sanctuaries; his abode is not known; no shrine [of his] is found with painted figures. There is no building that can contain him. … Unknown is his name in heaven; he doth not manifest his forms! Vain are all representations." Yet the last of these passages, which would seem to have reference to the purest worship of one God, is preceded by lines which speak simply of the Nile inundation and of the offerings made to it, oxen slain and great festivals celebrated.
But it is chiefly in honour of Amon[1] that we find hymns full of expressions closely approaching the language of Monotheism. This pre-eminence which Amon enjoys in the literature we have recovered, arises no doubt chiefly from the fact of his being the principal divinity at Thebes, and consequently of the great capital of Egypt during its most splendid period. Amon himself, according to the popular mythology, was not without a beginning. His legend relates that every year he left his temple at Karnak, and paid a visit to the valley of the dead, and poured a libation of lustral water upon a table of propitiation to his father and mother. Yet he is identified with the supreme and uncreated Being in hymns such as that (now in the
- ↑ He is called in the temple of Seti at Qurnah "the Lord of lords, King of the gods, the father of fathers, the powerful of the powerful, the substance which was from the beginning." Denkm. iii. 150.
