THE REMINISCENCES OF CARL SCHURZ
in line to raise the cry for the fulfillment of the pledges given by the princes. It had cultivated the national spirit with zeal, although sometimes with exaggerated demonstrations. It had furnished many victims in the persecutions of so-called demagogues. The political activity of the old Burschenschaft had indeed not been continued by the younger associations; but “God, Liberty, Fatherland,” had still remained the common watchword; we still wore the prohibited black-red-golden ribbon under our coats, and very many members of the new Burschenschaft societies still recognized it as their duty to keep themselves well informed of what happened in the political world and to devote to it as active an interest as possible. Thus the liberal currents of our time found among us enthusiastic partisans, although we young people could not give a very definite account of the practical steps to be taken.
In the prosecution of my studies I had taken up with ardor the history of Europe at the period of the great Reformation. I expected to make this my specialty as a professor of history. The great characters of that period strongly attracted me and I could not resist the temptation to clothe some of them in dramatic form. So I planned a tragedy, the main figure of which was to be Ulrich von Hutten, and I began to elaborate some scenes in detail. At the beginning of the winter semester of 1847-48 I had made the acquaintance of a young student from Detmold, who became not indeed a member, but a guest of the Franconia. His name was Friedrich Althaus. More than any young man of my acquaintance he responded to the ideal of German youth. His was a thoroughly pure and noble nature and richly endowed with mental gifts. As we pursued similar studies we easily became intimates, and this friendship lasted with undiminished warmth long beyond the university years. To him I confided my Hutten secret, and he
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