to the image-making branch? Would he allow imitation to be the ruling principle of his life, as if he had nothing higher in him?
I should say not.
The real artist, who knew what he was imitating, would be interested in realities and not in imitations; and would desire to leave as memorials of himself works many and fair; and, instead of being the author of encomiums, he would prefer to be the theme of them.
Yes, he said, that would be to him a source of much greater honor and profit.
Then, I said, we must put a question to Homer; not about medicine, or any of the arts to which his poems only incidentally refer: we are not going to ask him, or any other poet, whether he has cured patients like Asclepius, or left behind him a school of medicine such as the Asclepiads were, or whether he only talks about medicine and other arts at second-hand; but we have a right to know respecting military tactics, politics, education, which are the chiefest and noblest subjects of his poems, and we may fairly ask him about them. “Friend Homer,” then we say to him, “if you are only in the second remove from truth in what you say of virtue, and not in the third—not an image maker or imitator—and if you are able to discern what pursuits make men better or worse in private or public life, tell us what State was ever better governed by your help? The good order of Lacedæmon is due to Lycurgus, and many other cities, great and small, have been similarly benefited by others; but who says that you have been a good legislator to them and have done them any good? Italy and Sicily boast of Charondas, and there is Solon who is renowned among us; but what city has anything to say about you?” Is there any city which he might name?
I think not, said Glaucon; not even the Homerids themselves pretend that he was a legislator.
Well, but is there any war on record which was carried on successfully by him, or aided by his counsels, when he was alive?
There is not.
Or is there any invention[1] of his, applicable to the arts or to
- ↑ Omitting εἰς.
