he is more lugubrious, and the rigidity of his lines bears eloquent testimony to his poverty-stricken figures. It is a strange perversion to take pleasure in these carnivalesque figures when one can have the paintings of Leonardo, Titian, Correggio, Velasquez, Rubens, Rembrandt, Poussin, or Prud’hon. Really it is a perverted instinct.”
Meanwhile the Abbé Patouille and Maurice d’Esparvieu were strolling leisurely along in the wake of the esthete and the librarian. As a general rule the Abbé Patouille was little inclined to talk theology with laymen, or, for that matter, with clerics either. Carried away, however, by the attractiveness of the subject, he was telling the youthful Maurice all about the sacred mission of those guardian angels which Monsieur Delacroix had so inopportunely excluded from his picture. And in order to give more adequate expression to his thoughts on such lofty themes, the Abbé Patouille borrowed whole phrases and sentences from Bossuet. He had got them up by heart to put in his sermons, for he adhered strongly to tradition.
“Yes, my son,” he was saying, “God has appointed tutelary spirits to be near us. They come to us laden with His gifts. They return laden with our prayers. Such is their task. Not an hour, not a moment passes but they are at our side, ready to help us, ever fervent and unwearying guardians, watchmen that never slumber.”
