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seem to revel in luxuriance, and as the light Summer breeze comes sighing through the ivied tracery of the windows, it brings with it a gush of fragrance, far excelling the incense that was wont to float through the "long-drawn aisle" in times of yore.
And where the golden censers high had flung
Their fragrant clouds around the imaged throne,
The wall-flower shed its perfume, as it clung,
And waved in wild luxuriance o'er the stone
Chafed by the storms of years; an emblematic bloom,
A halo coronal of light o'er grandeur's tomb.
The Wall-flower is very appropriately considered the emblem of love in adversity, for it never appears on the stately pile in its day of pride and grandeur; but when the buttresses fall, and the walls totter, and desolation reigns over the decaying glories of a bye-gone time, then the flower brings its beauty and fragrance to gladden the solitary place, and by its cheerful smiles to rob the sad scene of half its gloom.
So far we have looked on the serious and sentimental character of the Wall-flower; but now Master Herrick shall give us a somewhat different view of the subject in a fable "of his own composing."
HOW THE WALL-FLOWER CAME FIRST, AND WHY SO CALLED.
Why this flower is now called so,
List, sweet maids, and you shall know.
Understand, this firstling was
Once a brisk and bonny lasse,
(Kept as close as Danæ was;)
