when he discovered painting to be the favourite occupation of the pretty princess he should become very much attached to her. Hers were not solemn pictures, but such clever, quick sketches; so that just to watch her do them was an exciting game. And when, sitting so charmingly beside him on the divan, she paused and held her brush in the air for a moment wondering where to put the next stroke, she looked so daring that the little Emperor's heart was completely captivated. Soon he was going to her rooms at all hours, and Tō no Chūjō became seriously alarmed lest his own daughter should lose her primacy. But he was determined not to be outdone, and being of an extremely ingenious and resourceful nature he soon had a plan for putting an end to this menacing situation. He sent for all the most skilful painters in the land and under strict bond of secrecy set them to work upon a collection of pictures which was to be like nothing that had ever been seen before. They were to be illustrations to romances, which would be preferable to purely ingenious subjects, the significance being more easily grasped by a young mind and all the most interesting and exciting stories were chosen. In addition to these illustrations there was to be a set of 'Months,' a very attractive subject, with texts specially written for the occasion. In due time Princess Chūjō[1] showed them to the Emperor, who was naturally very much interested and soon afterwards asked for them again, saying that he thought Princess Akikonomu would like to see them. At this Princess Chūjō began to make difficulties, and though His Majesty promised to show them to no one else and carry them with the greatest care straight to the other princess's apartments, she refused to part with them.
- ↑ Chūjō's daughter. Actually she is called Kōkiden, but this is a name of another character in the book, and as the use of it would lead to confusion, I have given her a name which links her to her father.
