of them would have given her eyes not to miss any of the paintings that were being unrolled, were hustled into the background, even though they belonged to the Emperor's own or to Lady Fujitsubo's household, and were scarcely able to see anything at all. This occasioned much jealousy and heart-burning.
Presently Genji arrived at the Palace and was greatly diverted by the spectacle of this disorderly and embittered combat. 'If you will get up another competition,' he said, 'I will arrange for the Emperor to be present and will myself make the awards.' In preparation for this event, which he had indeed been contemplating for some time, he made a further selection from the pictures which he had recently put aside, and having done so he could not resist inserting among them the two scrolls of his sketches made at Suma and Akashi. Tō no Chūjō meanwhile, determined not to be outdone, was straining every nerve in preparation for the new contest. It was indeed a moment in the history of our country when the whole energy of the nation seemed to be concentrated upon the search for the prettiest method of mounting paper-scrolls. In arranging the conditions of the contest Genji had said: 'My idea is that it should be confined to paintings already in existence; we do not want a lot of new work hurriedly executed for this special purpose. . . .' But Tō no Chūjō could not resist the temptation to set some of his favourite masters to work, and improvising a little studio with a secret door he strove to steal a march on his rivals. The secrecy was not however as well maintained as he could have desired; even Suzaku, in his secluded apartments, heard the story and determined to put his own collection at the service of Princess Akikonomu. He had a series of 'Festivals All the Year Round,' painted by various famous old masters; texts explaining these pictures had been added by no less a hand
