stands, the Emperor's own ladies took up their places, some with Lady Chūjō's supporters, some with the opposing side. At the summons of the herald Genji and Tō no Chūjō now appeared and with them Genji's half-brother, Prince Sochi no Miya, who among the various arts which he cultivated was particularly fond of painting. He had received no official summons on this particular occasion, but had in the end yielded to Genji's entreaties that he would come and help him in his difficult task. Prince Sochi was at once called to the Emperor's side and appointed part-umpire in the coming contest. An amazing collection of paintings had been assembled and assuredly the task of the judges was no light one. A great impression was made when Akikonomu's side produced the famous series of 'Four Seasons' by noted masters of antiquity. Both the charming fancy displayed in the choice of episodes for illustration and the easy, flowing character of the brush-strokes rendered these works highly attractive; and the modern paintings on paper, being necessarily limited in size, sometimes, especially in landscape, made a certain impression of incompleteness. Yet the far greater richness both of brushwork and invention gave even to the more trivial of these modern works a liveliness which made them compare not unfavourably with the masterpieces of the past. Thus it was very difficult indeed to reach any decision, save that to-day, as on the previous occasion, both sides had produced many works of absorbing interest.
The sliding-screen of the breakfast-room was now pushed aside and Lady Fujitsubo entered. Remembering how learned she was in these matters Genji felt somewhat shy, and contented himself henceforward as exhibit after exhibit was produced with an occasional comment or suggestion, discreetly thrown in only when some point of especial
