Page:The Sacred Tree (Waley 1926).pdf/284

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278
THE SACRED TREE

came at last a point where my brush could no longer keep pace with the visions that beset my brain. Not having previously had any opportunity of showing these sketches to His Majesty, I took advantage of this occasion to display them. But I fear that my action in using them for this competition will when reflected upon provoke very unfavourable comments. . . .' The conversation was carried on by Prince Sochi no Miya: 'I know, of course,' he said, 'that mere industry will not carry one far in any art; his heart must be in the matter. But all the same there is a great deal which can simply be learnt from masters; so that a man, without any understanding of what is really important, will often easily succeed in imitating the outward forms and procedures of an art. But painting and draughts demand an extraordinary degree of natural equipment and also furnish us with the strangest surprises; for some apparently half-witted fellow, who does not seem capable of any useful activity, will turn out to be a genius at draughts or painting! On the other hand I have occasionally come across instances where intelligent children. of good family have possessed what I may term a general superiority, showing an unusual capacity in every form of art and learning.

'My father the late Emperor gave personal attention to the training of all his children, both girls and boys, in every imaginable art and accomplishment. But it was in your education, Genji, that he took by far the greatest interest, and it was to you, whom he considered most likely to profit by it, that he was at pains to hand on the great store of information which in the course of his long life he had here and there acquired. In literature of course you were far ahead of any of us; just as you were in other less important matters, such as playing upon the zithern, which was indeed perhaps your principal accomplishment. But