other has been successful, or in which a spell has been cast over man or woman, not merely preventing the bewitched person from regaining his home and human society, but also rendering him, while under the spell, impervious to the attacks of time and unconscious of its flight.
These stories are of many types. The first type comes, so far as I know, only from Celtic sources. It is very widely known in Wales, and we may call it, from its best-known example, the "Rhys and Llewelyn type." A story obtained between sixty and seventy years ago in the Vale of Neath relates that Rhys and Llewelyn were fellow-servants to a farmer; and they had been engaged one day in carrying lime for their master. As they were going home, driving their mountain ponies before them in the twilight, Rhys suddenly called to his companion to stop and listen to the music. It was a tune, he said, to which he had danced a hundred times, and he must go and have a dance now. So he told his companion to go on with the horses and he would soon overtake him. Llewelyn could hear nothing, and began to remonstrate; but away sprang Rhys, and he called after him in vain. Accordingly he went home, put up the ponies, ate his supper and went to bed, thinking that Rhys had only made a pretext for going to the alehouse. But when morning came, and still no sign of Rhys, he told his master what had occurred. Search proving fruitless, suspicion fell on Llewelyn of having murdered his fellow-servant; and he was accordingly imprisoned. A farmer in the neighbourhood, skilled in fairy matters, guessing how things might have been, proposed that himself and some others, including the narrator of the story, should accompany Llewelyn to the place where he parted with Rhys. On coming to it, "Hush!" cried Llewelyn, "I hear music, I hear sweet harps." All listened, but could hear nothing. But Llewelyn's foot was on the outward edge of the fairy-ring. "Put your
