direction, he learns from the princess that the Marquis is her father; and she shows him the way to his castle. Arrived there, he demands his soul. Before conceding it the Marquis sets him tasks: to level an inconvenient mountain, so that the sun may shine on the castle; to sow the site of the mountain with fruit trees, and gather the fruit of them in one day for dinner; to find a piece of plate which the Marquis's great-grandfather had dropped into the river; to catch and mount a horse which is no other than the Marquis himself; and to choose a bride from among the princesses, his daughters. The damsel who had shown Iron Shoes the way to the palace performs the first two of these tasks: and she teaches him how to perform the others. For the third, he has to cut her up and cast her into the river, whence she immediately rises whole again, triumphantly bringing the lost piece of plate. In butchering her he has, however, clumsily dropped a piece of her little finger on the ground. It is accordingly wanting when she rises from the river; and this is the token by which Iron Shoes recognizes her when he has to choose a bride; for, in choosing, he is only allowed to see the little fingers of these candidates for matrimony. He and his bride afterwards flee from the castle; but we need not follow their adventures now.[1]
In stories of this type doves are the shape usually assumed by the heroine and her comrades; but swans and geese are often found, and in a Russian tale we are even introduced to spoonbills. Nor do the birds I have mentioned by any means exhaust the disguises of these supernatural ladies. The stories comprised under this and the foregoing type are nearly all märchen; but when we come to other types where sagas become more numerous, we find other animals favoured, well-nigh to the exclusion of birds. In the latter types there is no recovery of the wife when she has once abandoned her
- ↑ "F. L. Españ." vol. i. p. 187.
