father-in-law; and by the aid of the lower animals he comes triumphant out of every trial. The beasts with their tusks plough up the spacious fields of heaven; the beasts and birds uproot the giant trees; from the Crocodile Lake the crocodiles themselves bring the thousand spades; between cattle which are exactly alike the cattle-fly distinguishes the cows from the calves; and the little fly, settling on the nose of the heroine's mother, enables the hero to point her out among her daughters. The wife's father is astonished, and gives his daughter anew to the hero to be his wife, dismissing them with a dower of oxen, slaves and money.[1]
It will be observed that the adventures undergone by Andrianòro in heaven are very different from those of the Maori heroes. Tawhaki and Tini-rau have certainly to submit to hardships and indignities before they can be reunited to their wives; and they perform actions of superhuman power. But these actions are not performed as the condition of reunion; nor are the tasks and the indignities laid upon them by any parental ogre. In fact the parental ogre is as conspicuous by his absence from the New Zealand stories as he is by his presence in those of Andrianòro and the Marquis of the Sun. How is this to be explained? The reason seems to lie in the different organization of society under which the tale attained its present form in either case. At an early period of civilization, kinship is reckoned exclusively through the mother: even the father is in no way related to his children. This is a stage hardly ever found complete in all its consequences, but of which the traces remain in the customs and in the lore of many nations who have long since passed from it, becoming, as we might expect, fainter and fewer as it recedes into the distance. Such traces are abundant in Maori tradition; and they point to a comparatively recent emergence from
- ↑ "F. L. Journal," vol. i. p. 202; "Revue des Trad. Pop." vol. iv. p. 305.
