ball of fire plunge into the water. But as the mysterious beast plunged he gave the lad a parting kick, which knocked out one of his eyes, just as the Calender was deprived of his eye in the "Arabian Nights." Still worse was the fate that overtook a woman, who, at midnight on New Year's Eve, when all water is turned into wine, was foolhardy enough to go to a well. As she bent over it to draw, one came and plucked out her eye, saying:
"All water is wine,
And thy two eyes are mine."
A variant of the story relates that the woman herself disappeared, and gives the rhyme as
"All water is wine,
And what is thereby is mine."[1]
At the end of the last chapter we noted as a characteristic of fairy nature the objection to be recognized and addressed by men who are privileged to see them. We are now able to carry the generalization a step further. For, from the instances adduced in the foregoing pages, it is obviously a common belief that supernatural personages, without distinction, dislike not merely being recognized and addressed, but even being seen, or at all events being watched, and are only willing to be manifested to humanity at their own pleasure and for their own purposes. In the stories of the Magical Ointment it is not so much the theft as the contravention of the implicit prohibition against prying into fairy business that rouses elfin anger. This will appear more clearly from the fuller consideration of cases like those mentioned in the last paragraph, in which punishment follows directly upon the act of spying. In Northamptonshire,
- ↑ "Choice Notes," p. 170; Thorpe, vol. iii. p. 8. The latter form of the story seems more usual. See Gredt, pp. 28, 29, where we are plainly told that the hapless mortals are fetched away by the devil.
