than the very forced and distant one, that, as reading may be reckoned among the amusements appropriated to Winter, such subjects as these will naturally offer themselves to the studious mind.
There is another source of sentiment to the Poet of the Seasons, which, while it is superior to the last in real elevation, is also strictly connected with the Nature of his work. The genuine philosopher, while he surveys the grand and beautiful objects every where surrounding him, will be prompted to lift his eye to the great cause of all these wonders; the planner and architect of this mighty fabric; every minute part of which so much awakens his curiosity and admiration. The laws by which this being acts, the ends which he seems to have pursued, must excite his humble researches; and in proportion as he discovers infinite power in the means, directed by infinite goodness in the intention, his soul must be wrapt in astonishment, and expanded with gratitude. The œconomy of Nature will, to such an observer, be the perfect scheme of an all-wise and beneficent mind; and every part of the wide creation will appear to proclaim the praise of its great author. Thus a new connexion will manifest itself between the several parts of the universe; and a new order and design will be traced through the progress of its various revolutions.
Thomson's Seasons is as eminently a religious, as it is a descriptive poem. Thoroughly impressed with sentiments of veneration for the author of that assemblage of order and beauty which it was his province to paint, he takes every proper occasion to excite similar emotions in the breast of his readers. Entirely free from the gloom of superstition and the narrowness of bigotry, he every where represents the Deity as the kind and beneficent parent of all
