THE SENSE OF THE PAST
found for her: she was an Italian princess of the cinque-cento, and Titian or the grand Veronese might, as the phrase was, have signed her image. She had a wondrous old-time bloom and an air of noble security. The roots of her flowering were watered by Wall Street, where old Mr. Coyne and her maternal grandsire, both still in the field and almost equally proud of her, conspired to direct the golden stream; though the plant itself seemed to spring from a soil in which upheavals—when upheavals occurred—offered to panic at least a deeper ground than a fall in stocks. Large calm beauty, low square dresses, crude and multiplied jewels, the habit of watching strife from a height and yet of looking at danger with a practised bravery, were some of the impressions that consorted with her presence. When therefore she had, with whatever kindness, shaken her slow head at Ralph three times, there came to him a sad sense of his having staked his cast, after all, but on the sensibility of a painted picture. She had touched him at other times with a high hardness, whereas at present, clearly, she would have given anything to seem mild; only it was at the end of ten minutes of such mildness as if he stood under her closed window in darkness and sleet. This brought the truth home to him as it had not yet come: he had nothing in common with her apprehension—so particular, so private as that would be—of the kind of personal force, of action
8
