Page:The Sikh Religion, its gurus, sacred writings and authors Vol 1.djvu/87

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INTRODUCTION
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the third Sikh Guru. Bidhi Chand, a descendant of Handal, was a Sikh priest at Jandiala, in the Amritsar district. He took unto himself a Muhammadan woman, whom he attached to him rather by ties of love than of law, and upon this he was abandoned by his followers.

He then devised a religion of his own, and compiled a Granth and a Janamsakhi to correspond. In both he sought to exalt to the rank of chief apostle his father Handal, and degrade Guru Nanak, the legitimate Sikh Guru. For this purpose creative fancy was largely employed. To serve the double object of debasing Guru Nanak and justifying himself to men, he stated that Nanak had also taken unto himself a Muhammadan woman bound to him by no bonds save those of lucre and ephemeral affection.

According to this biographer, Guru Nanak, on his journey to Sach Khand, the true region, or the Land of the Leal, met the Hindu saint Dhru. One day while on earth Dhru sat on his father's lap, and was removed by his step-mother. For this trivial slight he left his home and turned his thoughts to God. God accepted his worship, and in recognition thereof offered him the highest place in heaven. The pole, as not moving, is supposed to have the position of honour, and there Vishnu set him in the centre of the stars. Dhru began to converse with Guru Nanak, and told him that only one man, Kabir, had previously been able to visit that select and happy region. Here there was a covert depreciation of Guru Nanak. Kabir, a famous religious teacher, by caste a weaver, was his precursor, and the Handali's object was to show that Guru Nanak was a follower of Kabir and not an original thinker. Guru Nanak is then represented to have said that a third man, Handal, was approaching, and would be present in the twinkling of an eye.

Guru Nanak, proceeds the Handali writer, continued his journey to Sach Khand, and there found Kabir fanning God, who is represented as the four-armed Hindu deity Vishnu. A rude drawing in the Handali Janamsakhi represents God and Kabir in truly anthropomorphic fashion as a priest and his attendant disciple.

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