Page:The Sikh Religion, its gurus, sacred writings and authors Vol 5.djvu/17

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LIFE OF GURU GOBIND SINGH
5

word of command he took a chauri and waved it over the Guru. At night he took two lighted torches in his trunk, and showed the Guru and the Raja their homeward ways. In due time the Raja bade farewell to the Guru, and on his departure requested him never to let the elephant out of his possession.

Several men went to the Guru for enlistment, and his army rapidly increased. He now set about the construction of a big drum, without which he deemed his equipment would be incomplete. The work was entrusted to Nand Chand. When the masands found that it was nearly ready they said that when Bhim Chand, the king of the country, heard it, he would be wroth, and not suffer the Guru and his Sikhs to abide in the locality.[1] Afraid, however, to make a representation to the Guru himself, they went to his mother Gujari and expressed their sentiments: 'The Guru's expenditure on works of charity and philanthropy is already great, and now he is increasing his army and building a large drum. When the hill chiefs hear it beaten, they will regard it as a symbol of conquest and engage in battle with the Sikhs. He is daily adding to the number of his soldiers. Be pleased, O lady, to restrain him.' This speech convinced the Guru's mother. She sent for her brother Kripal, and begged him to dissuade her son from completing the drum. Kripal said he could not take it on himself to make any such representation to the Guru. She must do so herself. She accordingly spoke to her son next morning in the terms used by the masands to her. She added, 'Our business is with religion, for which humility is required. Even if thou complete the drum, beat it not in public' The Guru replied, 'Mother dear, how long shall I remain in concealment? I am not going to take forcible possession of the hill rajas' territories. If they are jealous for nothing, and allow their hearts to rankle,

  1. In former times a rāja might not beat a drum within another rāja's territory, for beating a drum was a symbol of sovereignty.