Page:The Soft Side (New York, The Macmillan Company, 1900).djvu/218

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210
JOHN DELAVOY

at any rate, seemed to arrive, and it was all in conversation about Delavoy that we ceased to be hindered and hushed. The place was still full of him, and in everything there that spoke to me I heard the sound of his voice. I read his style into everything—I read it into his sister. She was surrounded by his relics, his possessions, his books; all of which were not many, for he had worked without material reward: this only, however, made each more charged, somehow, and more personal. He had been her only devotion, and there were moments when she might have been taken for the guardian of a temple or a tomb. That was what brought me nearer than I had got even in my paper; the sense that it was he, in a manner, who had made her, and that to be with her was still to be with himself. It was not only that I could talk to him so; it was that he listened and that he also talked. Little by little and touch by touch she built him up to me; and then it was, I confess, that I felt, in comparison, the shrinkage of what I had written. It grew faint and small—though indeed only for myself; it had from the first, for the witness who counted so much more, a merit that I have ever since reckoned the great good fortune of my life, and even, I will go so far as to say, a fine case of inspiration. I hasten to add that this case had been preceded by a still finer. Miss Delavoy had made of her brother the year before his death a portrait in pencil that was precious for two rare reasons. It was the only representation of the sort in existence, and it was a work of curious distinction. Conventional but sincere, highly finished and smaller than life, it had a quality that, in any collection, would have caused it to be scanned for some signature known to the initiated. It was a thing of real vision, yet it was a thing of taste, and as soon as I learned that our hero, sole of his species, had succeeded in never, save on this occasion, sitting, least of all to a photographer, I took the full measure of what the studied strokes of a pious hand would some day represent for generations more aware of John Delavoy than, on the whole,