writing stories—a span of thirty years. In every case, therefore, the date at which the tale was written is attached—the place of writing being added merely, in the words of Mr. Finch McComas, "to round off the sentence." Each tale thus becomes a sort of milestone by which, should you happen to maintain so much interest, you can estimate your author's progress—backwards or forwards, as you may decide.
When the suggestion of this collection first arose there had already been published two volumes of what are now generally referred to as "Kai Lung" stories, and another pair of what might with more propriety be described as "Max Carrados" tales. There being no lack of other material available it seemed fitting that in this instance all stories of those two distinctive classes should be ruled out, and no doubt this would have been the plan had not, about that time, the Mystery arisen.
It is a little difficult, as the hand holds the pen, to appreciate a Mystery in relation to oneself. The nearest parallel that occurs is the case of the dentist (as described in Punch) who administered gas to himself preparatory to extracting one of his own teeth. Being intimately concerned, but quite unconscious of what is going on, I am therefore driven to contemporary record.
So far as I have any evidence, Mr. Edward Shanks was the first to use the fatal word. Referring to The Wallet of Kai Lung, he would seem to have written: "Its name was therefore passed from mouth to mouth in a mysterious way, but few people had ever seen it or knew what it was like."
If this is indeed the fount and origin of the legend the historic reference may be proved in the Queen of December the 2nd, 1922. It sounds harmless enough, and in any case I take the opportunity of publicly forgiving Mr. Shanks whatever may result, but Dark Forces were evi-
