dilection for such geniuses as Dante and Michael Angelo. We do not think our author has any very cordial sympathy with Shakespear. How should he? Shakespear was the least of an egotist of any body in the world. He does not much relish the variety and scope of dramatic composition. "He hates those interlocutions between Lucius and Caius." Yet Mr. Wordsworth himself wrote a tragedy when he was young; and we have heard the following energetic lines quoted from it, as put into the mouth of a person smit with remorse for some rash crime:
"Action is momentary,
The motion of a muscle this way or that;
Suffering is long, obscure, and infinite!"
Perhaps for want of light and shade, and the unshackled spirit of the drama, this performance was never brought forward. Our critic has a great dislike to Gray, and a fondness for Thomson and Collins. It is mortifying to hear him speak of Pope and Dryden, whom, because they have been supposed to have all the possible excellences of poetry, he will allow to have none. Nothing, however, can be fairer, or more amusing, than the way in which he sometimes exposes the unmeaning verbiage of
