closeness with the beautiful that, as she frankly admitted, life had become for her a kind of fool's paradise. She couldn't leave her own house without peril of exposure. She didn't say it in so many words, but Fleda could see she held that there was nothing in England really to compare to Poynton. There were places much grander and richer, but there was no such complete work of art, nothing that would appeal so to those who were really informed. In putting such elements into her hand destiny had given her an inestimable chance; she knew how rarely well things had gone with her and that she had enjoyed an extraordinary fortune.
There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't
