had ever, that way, felt what she had achieved: people were so grossly ignorant, and everybody, even the knowing ones, as they thought themselves, more or less dense. What Mrs. Gereth had achieved was indeed an exquisite work; and in such an art of the treasure-hunter, in selection and comparison refined to that point, there was an element of creation, of personality. She had commended Fleda's flair, and Fleda now gave herself up to satiety. Preoccupations and scruples fell away from her; she had never known a greater happiness than the week she passed in this initiation.
Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of colour and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves
