way, so the horns can go in the picture too. I have thinks that the people who made poker-chips ought to have made them with more bigness, so there would be more room to put horns on the cows' pictures that one does draw on poker-chips. One of the other three poker-chips I did put into my apron pocket is to draw Aphrodite's portrait on. And one of them is to draw Elizabeth Barrett Browning's picture on. And one is for someone else that does live in the pasture. Now I go.
When I did get these pictures made, I did take them to a log in the near woods that has got a hollow place in it. There is room in this log for me to take naps in on rainy days, and in this log I do keep the white poker-chips with pictures on them. In this log I do have a goodly number of white poker-chips in rows, with portraits on them of the animal folks that do dwell here about. All my chumspictures are there. There are five of Mathilde Plantagenet on three poker-chips. And there are seven of William Shakespeare that I did draw in automne and hiver
time. And, too, there are six of dear Peter Paul Rubens that was.
And now four more portraits did go in the rows to-day. There are nine more white poker-chips in a little pile under the root of a stump close by the old log. These nine white poker-chips are waiting waits to have portraits made on them. When I do get portraits made on most all the white poker-chips I do have, then one of the logging men at the
