regard from those whose names are inscribed in this bowl. July 6, 1869." Inside the bowl are exact fac-simile signatures of the subscribers, and amongst those which glisten I notice those of Ellen Terry, Henry Irving, John Hare, Tom Thorne, Henry Neville, W. H. Kendal, Wilson Barrett, Brandon Thomas, John Billington, and Edward Terry. Inside this case are a number of presents from patients, whilst a portrait of one of Sir Morell's daughters finds a place on the glass top.
Possibly, however, the most interesting part of the room is that nearest the historical chair already referred to. Just beneath a large picture of Madame Pauline Lucca is a crimson plush frame, containing a portrait of the late Emperor Frederick in the same uniform as he wore on the occasion of Her Majesty's Jubilee. Another portrait of him bears date of 1863, and shows him in Highland dress, whilst close by are portraits, taken some years ago, of his three daughters, dressed in plain white muslin dresses.
Two important letters are framed here in gilt supports, surmounted with Royal coronets. One is in German, written on buff notepaper, with a deep black edging. It was from the Queen to her late son-in-law. Although I am not permitted to give the contents of it, I may say that it is to the purport that Her Majesty intends conferring a knighthood upon Sir Morell, whilst the other matter impressively shows the love Her Majesty had for the late Emperor. The other letter—part of which only is shown—is from the Emperor to Sir Morell. The Emperor used very large-sized note, edged with black, and wrote a remarkably bold, clear hand. It reads:—
"My Dear Sir Morrell,—You were called to me by the unanimous wish of my German medical attendants. Not knowing you myself, I had confidence in you in consequence of their recommendation. But I soon learnt to appreciate you from personal experience."
The gothic room.
From a Photo. by Elliott & Fry.
The second consulting-room is reached by passing through a small dispensary. On the white walls of this substantial medicine cabinet are rough notes by Sir Morell—pencil reminders to see such and such patients. This second apartment is known as "The Gothic Room"—every article of furniture in it is of that period. It is almost like entering a small chapel—there is an air of quietude about the place almost approaching sanctity which is most impressive. The pictures on the walls are Scriptural, principally of the Italian school. At the far end is a stained glass window, at the foot of which is a lappet with embroidered lace hangings. Gilt vases and candles are set out on the various shelves. By the side of the bookcase is a huge wrought iron cross, an excellent specimen of sixteenth century work. In the centre of the cross is a little cabinet containing a statue of the Virgin Mary, before which a light is kept continually burning. This cross was "picked up" with several others in the Austrian Tyrol by the Empress Frederick, who gave it to Sir Morell in 1888. She has also one hanging over her bed in her palace in Berlin. This apartment is lit with the electric light—as indeed are all the rooms—
