through to the long walk where the seats were, you were practically alone with Nature. At this hour of the day the place was deserted; George had it to himself. He strolled slowly along. The water glittered under the sun-rays, breaking into a flurry of white foam as it reached the beach. A cool breeze blew. The whole scenic arrangements were a great improvement on the stuffy city he had left. Not that George had come to Marvis Bay with the single aim of finding an antidote to metropolitan stuffiness. There was a more important reason. In three days Marvis Bay was to be the scene of the production of "Fate's Footballs," a comedy in four acts by G. Barnert Callender. For George, though you would not have suspected it from his exterior, was one of those in whose cerebrum the grey matter splashes restlessly about, producing strong curtains and crisp dialogue. The company was due at Marvis Bay on the following evening for the last spasm of rehearsals.
George's mind, as he paced the pier, was divided between the beauties of Nature and the forthcoming crisis in his affairs in the ratio of one-eighth to the former and seven-eighths to the latter. At the moment when he had left London, thoroughly disgusted with the entire theatrical world in general and the company which was rehearsing "Fate's Footballs" in particular, rehearsals had just reached that stage of brisk delirium when the author toys with his bottle of poison and the stage-manager becomes icily polite. "The Footpills"—as Arthur Mifflin, the leading juvenile in the great play, insisted on calling it, much to George's disapproval—was his first piece. Never before had he been in one of those kitchens were many cooks prepare, and sometimes spoil, the theatrical broth. Consequently the chaos seemed to him unique. Had he been a more experienced dramatist, he would have said to himself, "'Twas ever thus." As it was, what he said to himself—and others—was more forcible.
He was trying to dismiss the whole thing from his mind—a feat which had hitherto proved beyond his powers—when Fate, in an unusually kindly mood, enabled him to do so in a flash by presenting to his jaundiced gaze what, on consideration, he decided was the most beautiful girl he had ever seen. "When a man's afraid," shrewdly sings the bard, "a beautiful maid is a cheering sight to see." In the present instance, the sight acted on George like a tonic. He forgot that the lady to whom an injudicious management had assigned the rôle of heroine in "Fate's Footballs" invariably—no doubt from the best motives—omitted to give the cynical roué his cue for the big speech in act three. His mind no longer dwelt on the fact that Arthur Mifflin, an estimable person in private life and one who had been a friend of his at Cambridge, preferred to deliver the impassioned lines of the great renunciation scene in a manner suggesting a small boy (and a sufferer from nasal catarrh at that) speaking a piece at a Sunday-school treat. The recollection of the hideous depression and gloom which the leading comedian had radiated in great clouds fled from him like some grisly nightmare before the goddess of day. Every cell in his brain was occupied, to the exclusion of all other thoughts, by the girl swimming in the water below.
She swam well. His practised eye saw that. Her strong, easy strokes carried her swiftly over the swell of the waves. He stared, transfixed. He was a well-brought-up young man, and he knew how ill-bred it was to stare; but this was a special occasion. Ordinary rules of conventional etiquette could not apply to a case like this. He stared. More, he gaped. As the girl passed on into the shadow of the pier he leaned farther over the rail, and his neck extended in joints like a telescope.
At this point the girl turned to swim on her back. Her eyes met his. Hers were deep and clear; his bulging. For what seemed an eternity to George, she continued to look at him. Then, turning over again, she shot past under the pier.
George's neck was now at its full stretch. No power of will or muscle could add another yard to it. Realizing this, he leaned farther over the rail, and farther still. His hat slid from his head. He grabbed at it, and, overbalancing, fell with a splash into the water.
Now, in ordinary circumstances, to fall twelve feet into the ocean with all his clothes on would have incommoded George little. He would hardly have noticed it. He would have swum to shore with merely a feeling of amused self-reproach akin to that of the man who absent-mindedly walks into a lamp-post in the street. When, therefore, he came to the surface he prepared without agitation to strike out in his usual bold fashion. At this moment, however, two hands, grasping him beneath the arms, lifted his head still farther from the waves, and a voice in his ear said, "Keep still; don't struggle. There's no danger."
