favourable to the comparison, yet in the original plaster it is possible at once to detect its similarity to the hand of Lord Beaconsfield.
Cardinal Manning's hand.
Henry Irving's hand.
In truth, the hands of these statesmen have much in common. Yet, for a more striking resemblance between hands we must turn to another pair. The sculptor calls attention to the eminently ecclesiastical character of the hand of Cardinal Manning. It is in every respect the hand of the ideal prelate. Yet its every attribute is common to one hand, and one hand only, in the whole collection, that of Mr. Henry Irving, the actor. The general conformation, the protrusion of the metacarpal bones, the laxity of the skin at the joints, are characteristic of both.
Lord Napier of Magdala's hand.
Sir Bartle Frere's hand.
There could be no mistaking the bellicose traits visible in the hands of the two warriors—Lord Napier of Magdala and Sir Bartle Frere. Both bespeak firmness, hardihood, and command, just as Lord Brougham's hand, which will be found represented on the next page, suggest the jurist, orator, and debater. But it can scarcely be said that the great musician is apparent in Liszt's hand, which is also depicted on the following page. The fingers are short and corpulent, and the whole extremity seems more at variance with
