Page:The Strand Magazine (Volume 5).djvu/155

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154
THE STRAND MAGAZINE.

It would seem that hardly any branch of human knowledge had been overlooked in the adaptation of playing cards to an educational purpose, and they who still have them in mind under the designation of "the Devil's books," may be relieved to know that Bible history has been taught by the means of playing cards. In 1603 there was published a Bible History and Chronology, under the title of the "Geistliche Karten Spiel," where, much as Murner did in the instance we have given above, the cards were used as an aid to memory, the author giving to each of the suit signs the distinctive appellation of some character or incident in Holy Writ. And more recently Zuccarelli, one of the original members of our Royal Academy, designed and etched a pack of cards with the same intention.


The arms of the worshipful company of makers of playing cards, 1629.

In Southern Germany we find in the last century playing cards specially prepared for gifts at weddings and for use at the festivities attending such events. These cards bore conventional representations of the bride, the bridegroom, the musicians, the priest, and the guests, on horseback or in carriages, each with a laudatory inscription. The card shown in Fig. 33 is from a pack of this kind of about 1740, the Roman numeral I. indicating it as the first in a series of "Tarots" numbered consecutively from I. to XXI., the usual Tarot designs being replaced by the wedding pictures described above. The custom of presenting guests with a pack of cards has been followed by the Worshipful Company of Makers of Playing Cards, who at their annual banquet give to their guests samples of the productions of the craft with which they are identified, which are specially designed for the occasion.

To conclude this article—much too limited to cover so interesting a subject—we give an illustration (Fig. 34) from a pack of fifty-two playing cards of silver—every card being engraved upon a thin plate of that metal. They are probably the work of a late sixteenth century German goldsmith, and are exquisite examples of design and skill with the graver. They are in the possession of a well-known collector of all things beautiful, curious, and rare, by whose courteous permission this unique example appears here.