Page:The Surviving Works of Sharaku (1939).djvu/341

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Glossary


Aiban: Middle size. For prints about 13×9 inches.

Banzuke: Play-bill. Most of those used for the present plays were crudely illustrated.

Chidori: Small shore-birds similar to sanderlings.

Daimyo: A feudal lord whose annual income from his fiefs amounted to at least 50,000 bushels of rice.

Edo: The older name for the present Tokyo.

Geisha: A trained female entertainer.

Gozen: A title of respect. Approximately, His or Her Excellency. As used for the plays treated here, applied only to women.

Gwa: Drew. Used with the signature of an artist. The equivalent of “Pinxit.”

Hakama: Wide pleated trousers or divided skirts used by men for formal wear.

Haori: A short coat-like garment.

Hibachi: Literally “fire-box.” A brazier or charcoal-burner.

Hosoye: Narrow picture. For prints about 13×6 inches.

Ichibanme: Literally “first.” Technically the first part of a performance.

Jōruri: A narrative song originally used for the puppet stage and taken over by the kabuki for particular episodes.

Kabuki: The popular theater.

Kamishimo: Literally “upper and lower.” A formal garment, the upper part of which has stiff wing-like shoulders.

Kimono: A garment. Literally “thing worn.” In particular the long dress worn by both men and women.

Manji: A swastika.

Mon: A crest. A personal or family mark of identification.

Nagauta: A style of music sometimes used in the theater as an accompaniment.

Nibanme: Literally “second” or “secondly.” Technically the “second part” of a performance. See discussion under No. 1-a.

: A formal, highly stylized dance-drama of religious or ethical import.

Ōban: Large size. For prints about 15×10 inches.

Obi: A sash or girdle. Obi used by women usually were much wider than those used by men.

Saké: Rice wine.

Samurai: A member of the military caste.

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