It would be far simpler to fetch her to his Palace and keep her there. All through the day he sent numerous letters, and at dusk Koremitsu again went to the house saying that urgent business had once more prevented Genji from visiting them, for which remissness he tendered his apologies. Shōnagon answered curtly that the girl’s father had suddenly decided to fetch her away next day and that they were too busy to receive visits: ‘The servants are all in a fluster at leaving this shabby old house where they have lived so long and going to a strange, grand place.…’ She answered his further questions so briefly and seemed so intent upon her sewing, that Koremitsu went away.
Genji was at the Great Hall, but as usual he had been unable to get a word out of Aoi and in a gloomy mood he was plucking at his zithern and singing ‘Why sped you across field and hill So fast upon this rainy night?’[1]
The words of the song were aimed at Aoi and he sang them with much feeling. He was thus employed when Koremitsu arrived at the Great Hall. Genji sent for him at once and bade him tell his story. Koremitsu’s news was very disquieting. Once she was in her father’s palace it would look very odd that Genji should fetch her away, even if she came willingly. It would inevitably be rumoured abroad that he had made off with her like a child-snatcher, a thief. Far better to anticipate his rival and exacting a promise of silence from the people about her, carry her off to his own palace immediately. ‘I shall go there at daybreak,’ he said to Koremitsu; ‘Order the carriage that I came here in, it can be used just as it is, and see to it that one or two attendants are ready to go with me.’ Koremitsu bowed and retired.
Genji knew that whichever course he chose, there was
- ↑ The song is addressed by a girl to a suspicious lover; Genji reverses the sense.
