Page:The Tattooed Countess (1924).pdf/152

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designs. The manufacture of these collars was almost, for the season, a local amateur industry. Few of the men wore evening clothes. The greater number were dressed in business suits, but a frock coat or two was to be seen. Chatting gaily, acknowledging acquaintances, and speculating as to the quality of the prospective entertainment, the crowd surged into the theatre. The tough boys on the left of the portal enlivened these entrances and hastened them with such remarks as: Where did you get that hat? Ain't she out o' sight? Ain't she cute? She gets there just the same! There'll be a hot time in the old town tonight! Gee! what a dicer! Get a move on yuh!

Mrs. Porter, a regal personage in her magnificent gown of tan silk, trimmed with ruffles and flounces of old lace, stopped to gather her son in, as she entered. At the same moment Mrs. Cameron, looking a great deal like the popular conception of Ophelia, with marigolds in her loose hair, her great grey eyes fixedly staring, appeared, apparently from nowhere. Ribbons, as usual, were the essential note of her costume. The bow at her belt alone required yards.

Once inside the crowd found the curtain up, and recognized the garden set, so often seen during previous winters in the course of society dramas, but it had been reinforced by the full suite of palace furniture, carved, gilded, and upholstered in red plush. There were four chairs besides the rocking-