extolled in it as a goddess. Kneeling down to write, I sang litanies of her beauty, and I also used to invent, as a poor compensation, wholly imaginary scenes, in which she said all the things which she might have said but did not, and promised me all the happiness which we had voluntarily renounced.
"Hippolyte Fauville found the diary.… His anger was something terrible. His first impulse was to get rid of Marie. But in the face of his wife's attitude, of the proofs of her innocence which she supplied, of her inflexible refusal to consent to a divorce, and of her promise never to see me again, he recovered his calmness.… I left, with death in my soul. Florence left, too, dismissed. And never, mark me, never, since that fatal hour, did I exchange a single word with Marie. But an indestructible love united us, a love which neither absence nor time was to weaken."
He stopped for a moment, as though to read in Don Luis's face the effect produced by his story. Don Luis did not conceal his anxious attention. What astonished him most was Gaston Sauverand's extraordinary calmness, the peaceful expression of his eyes, the quiet ease with which he set forth, without hurrying, almost slowly and so very simply, the story of that family tragedy.
"What an actor!" he thought.
And as he thought it, he remembered that Marie Fauville had given him the same impression. Was he then to hark back to his first conviction and believe Marie guilty, a dissembler like her accomplice, a dissembler like Florence? Or was he to attribute a certain honesty to that man?
He asked:
