Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 3.djvu/116

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108
THE TRAGIC MUSE.

"Brute!" Sherringham again ejaculated.

This friendly personal note cleared the air, made the communication between the two men closer. "Stay with me and talk to me," said Nick; "I dare say it's good for me. Heaven knows when I shall see you so independently again."

"Have you got something more to show me, then—some other work?" Sherringham asked.

"Must I bribe you by setting my signboards in a row? You know what I've done; by which I mean of course you know what I haven't done. My work, as you are so good as to call it, has hitherto been horrible rot. I've had no time, no opportunity, no continuity. I must go and sit down in a corner and learn my alphabet. That thing isn't good; what I shall do for you won't be good. Don't protest, my dear fellow; nothing will be fit to look at for a long time. And think of my ridiculous age. As the populace say (or don't they say it?) it's a rum go. It won't be amusing."

"Oh, you're so clever you'll get on fast," Sherringham replied, trying to think how he could most directly disobey his companion's injunction not to protest.

"I mean it won't be amusing for others," said Nick, unperturbed by this violation. "They want results, and small blame to them."

"Well, whatever you do, don't talk like Mr. Gabriel Nash," Peter went on. "Sometimes I think you're just going to."

Nick stared a moment. "Why, he never would have said that. 'They want results, the damned fools'—that would have been more in his key."

"It's the difference of a nuance. And are you extraor-